Wolf in White Collar

 The room is dark but for the lamplight swinging overhead. There is no draft, so maybe it’s my eyes, swinging, swaying. But I’m sitting, so maybe it’s my mind, leaving, straying?

(So you can’t sleep?)

My eyes sting. My hands shake. The grains of the desk, stained red, flow like rivers, branching towards me, seeking escape. They are veins, spilling towards me, trying not to bleed. Across, a neck is sat inside a white collar, sat above a nametag, but there is no face. I see a bright light stained where features should be. I watch as hands appear and scribble before me. The nails are dull, clipped and cleaned, clinically. I think that’s what they’ll do to me.

The tearing of paper echoes through my head like muscle peeled from bone. A hand reaches towards me under shadows, changing shape as the ceiling sways and swings, swings and sways. What are they offering? Paper. I know it is meant to cut my skin. Our hands touch. They are cold. Why can’t I see their eyes? Why can’t I see their claws? I know that they’re there.

I look down at the script in my hand but the words shake and the ink doesn’t stay. The Z, the O, the P- run downwards as the scenery around me fractures: two pens become four, four certificates eight. Two hands become more. But still no eyes. Only teeth, and they part:

(So you can’t sleep?)

No, I can’t sleep. Have I said this before? Or was that in my head? Did they hear this before?

(So you can’t sleep?
          So you can’t sleep?
                      So you can’t sleep?)

The voices are booming. They fill up my ears. They fill up my head. My chair is confining and digs into my bones. I have seen their teeth. I can see their claws, no longer clipped, no longer clean. I can see the blood that they missed. It is on their nametags; it is on their hands. It is in their pens. It is the ink on my paper. It is the ink I saw run I saw run I saw RUN. I cannot stay long enough to see their eyes.

(So you can’t sleep? We’ve got something for that.)

Take one everyday and be sure to come back.

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Daybreak

It’s diurnal darkness
a silage left trailing the night
It’s a touch hard to part with
its traces sunburned by the light

It’s shadows enlightened
rays judging the sweat on our skin
It’s buttons up, tightened
Cover up so we don’t let it in

It’s conscience collected
discarded, abandoned before
It’s the day resurrected
and the twilight that promises more

Kneel Before the Devil

I wrote this when I was 19 and it doesn’t suck. 

1

The room is dark and the fan next to me sounds as if it’s as adamant on giving up on life as I am. Its blades creak and wheeze as they push stale air upon me, ruffling the unclean sheets that entangle my body. I turn away from it, facing the wall, when suddenly I am accosted by an offensive sunlight.

“Aaron
, get the hell up. Do you even know what day it is? Look at you, for Christ’s sake.”
My brother, arms wide and clutching at my curtains, seems to have decided to make one of his monthly intrusions.
“Of course I know what day it is, Ron, I’m not a degenerate,” I, a degenerate, say.
I sit up as he makes himself comfortable in an armchair strewn with neglected papers, cringing  as they crease beneath his weight.
“Really? Because that’s exactly what you look like to me.”
Ignoring the insult, I sit up and take a guess at his first accusation. “It’s Friday.”
“Right, it’s Friday. Do you know what that means? Do you know what normal people do on Fridays? “
I do. They go out, they drink, they sleep with people they’ve only just met in an effort to feel something, to find a human connection, if only for the night. All this so that they can make it home by sunrise and spend the day hung over and let down with regret. It wasn’t so long ago that I was one of those people: a predator of the night, a victim of the morning.

Instead of answering his question, I stare at him blankly, recognizing the rhetoric. 
“Get up, shower, put on some clean clothes. Pretend there is still someone in there who gives a fuck. Or don’t, I don’t care, but tonight we’re going out.”
Who? What for?”
He reminds me that I haven’t written a single word since my last novel. That much is true. He says I can’t live on royalty cheques forever. I’m not sure if that’s true. He says I need inspiration.
I think I need sleep.

“What I need, old brother, old pal, is for you to leave so I may continue that which you so rudely interrupted,” I say, rising from my bed and leaning against the chair in which he resides.
“Did you know that most people call before coming over? And some of them even knock before entering. It’s astounding. A radical concept.“

“No, what you need is to get out of this house: have a night out, have a few shots, do a few lines, maybe even get laid. Look at you, you look on the verge of suicide.”
“And what if, then, a few shots, a few lines, a lousy lay, is all I need to push me over that edge?”
“Then you’re going to die tonight. I’ll see you at nine.”
He removes himself from my chair and I follow as he retreats out the door he came through uninvited. I resume my position in bed, pull the covers over my stinging eyes, and go back to sleep. When I do, I dream of corpses and the falling out of my teeth.

2

I’m in a cab headed downtown. Ron’s friends are already belligerently drunk, reeking of high expectations, discarded brain cells, and tequila. I can tell Ron, sitting in the front, has been drinking too, though not as much, as to keep me comfortable. I am tin-canned in the back seat between two men whose names, as far as I can recall, are both Joe. I can hardly move without getting an elbow in the ribs or a kick in the shin and I think I might be more comfortable in front of a speeding bus.
As this thought crosses my mind, I look out the window to see a man in a velvet blazer step before an on-coming bus, the same one I had just contemplated. There isn’t enough time to think of the incredibility of the coincidence, merely enough to brace myself for the splattering impact of flesh and bone against metal.

The bus steams through without slowing, but no splat, no guts, nothing. The man is still standing on the side of the road, sucking noncommittally on a cigarette. I guess after three months of hardly stepping outside, my mind is playing tricks on me. I must have been gaping, because our cab had stopped and Ron’s drunken companions were muttering impatiently.
“Aaron, are you coming?”
I stammer distractedly that I am, and remove myself from the car, glancing back at the man in the purple velvet blazer. He’s gone, his existence only proven by the lingering of smoke left behind in his stead.

We enter a venue surrounded by people whose expressions all look dulled and identical. Inside, the dimly lit bar is swarmed with them, reptilian under the overhead glow of red lights. I heed Ron’s previous advice and order a round of shots for the group. The Joes shoot theirs greedily. Ron clinks his glass against mine.
“To your health,” he says, and I note the irony as the tequila burns the back of my throat. I look down at my hand to see this drink swiftly replaced by another, and I watch without enthusiasm as the ice cubes swirl around the glass as I move it about. I’m interrupted by a clutching at my arm, and I look up to see a drunken and overtly underage girl swaying unsteadily in heels. She knocks my drink onto the floor, shards of glass scattering throughout the area while whisky stains my boots. She apologizes through overly painted lips and offers to buy me a new one. I see Ron and his cronies staring at me approvingly from down the bar. The biggest and drunkest of the Joes gives me a thumbs-up. Feeling the weight of their stupid gaze, I decline, and usher the girl back towards her group of giggling clones. Sensing what he believes to have been my failing, Ron signals for yet another round of shots. I hear his friends loudly suggest arm-wrestling. I inform them I need to have a smoke, and float outside.

I find an unoccupied bench and take a seat, lighting a cigarette as I do. I wonder if the puddle beneath my feet is urine, and as the smell accosts my nostrils, I know that it is. I have no intention of returning to my brother’s side. I sit, instead, and watch the people who walk by. None of their features are distinguishable from the next, and I noticed only blurred colours and the clicking of heels. I drop my finished cigarette to the ground, crushing it beneath my foot. The feeling of it relenting under the weight of my shoe is satisfying.
“Excuse me, are you Aaron Pach?”
I look up to see a beautiful young woman, dressed in a white button-down shirt and jeans, noticeably weighted down by the bag slung over her shoulder.
“I’ve been called that before, yes. Why do you ask?”
“I’m a fan of your book. I recognized you from your headshot. I’ve actually got it here with me.” I watch as she struggles to sift through the textbooks enclosed at her side, narrowing my eyes as her efforts are awarded. It’s true. She’s holding the book a long-ago version of me once wrote. My own face, younger then, stares at me from the back cover.

“Do you think you could sign it for me?”
I’m temporarily unarmed by her flattery and I agree. Rising, I accept the book and a pen from her hands. I glance at the cover, worn and well read, and ask her whom I should make it out to. Hearing no reply, I look up. The girl is gone, and before me is the man in the purple blazer.
3

“Aaron, is it?”
He plucks the novel from my hands before I have the opportunity to react.
“Pach, yes.”
“What a shame.”
I peer at this man through squinted eyes, not knowing what he meant. I don’t know who he is, and yet I am inexplicably intrigued by him. He stands before me with the social grace of Jesus and the looming influence of Satan. His dark hair falls effortlessly over eyes that seem a thousand years old, bedded in flesh that can’t be over twenty-five. I am absorbed by him to a nearly inappropriate level of curiosity. If he is the beautiful, then I am now the damned.
“You know, I read an absolutely riveting novel just the other day,” he says, flipping my work over in his hands, picking through its pages.
His words tear me from my near-trance.
“Really?”
“No.”
He laughs heartedly, tossing my book aside. I watch as it lands in the puddle of piss I earlier stepped in. His laugh is infectious; it creeps its hands down my throat and claws out a reciprocation despite the fact that I am completely lost. I find myself offering to buy him a drink before I even realize the words are leaving my mouth.
“I know just the place,” he tells me, speaking with the authority of a much older man.
He leads me to a venue I’ve never noticed until now, stuck between ones much larger and louder. We enter and I am struck by the quiet of the room. He seats himself at the bar, looking entirely out of place in his effortless grandeur, as though he was pulled directly out of an Oscar Wilde novel. I take a seat next to him on a swivelling stool and survey my surroundings. We are in an old English pub that looks on the verge of bankruptcy. The lights above us flicker and the air smells of deep-fried food. I find myself wishing I could put the entire scene down on paper.
After ordering drinks for us both, he turns to me, crossing his legs and leaning against the counter. He smiles using only his eyes, somehow amused. I realize I’ve yet to ask his name.
“Henry. Neal Henry”
Did I say that out loud?
I decide that I must have, as there is no way that he could have read my mind.
“So, what do you do, Aaron, other than write?”
Without pausing to formulate an interesting answer, I confess:
“I sleep, mostly. I don’t find myself writing much…these days.”
“But why not? When is the last time you felt something? What is it about sleep that attracts you?”
“You never know if you’re going to wake up.”
My answer seems to have intrigued him, though not on the level that he has absorbed me. I am enveloped by his presence. I find myself wondering where Ron and his friends are and I find myself not caring.
“Well then, Aaron, tonight, we are going to find something that will make you feel alive.”
Something in his eyes make me sure that if I accept his offer, I am agreeing to something beyond my comprehension, yet resisting feels impossible. I down my drink, and face him directly.
“Where do I sign?”

4
“Now Aaron,”
Neal wheels his stool around effortlessly and gestures toward the masses occupying the bar.
“Do you believe in the Cardinal Sins?”
“The seven deadly sins?”
He nods, and I explain: I do not believe in God, I do not believe in Satan as more than an abstract idea. But I do believe in evil: the evil of the human race. Of course I believe in sin, I tell him. It’s impossible to live in our world and deny its existence.
“Logical, yes, and absolutely reasonable. People are always asking what the meaning of life is. The meaning of life is sin. Without sin, what would we have? We would not need religion. We would not need God. Yet we would only need and never want.”
“Life would be boring, I guess.”

Neal smiles appreciatively at my uninteresting addition, and brings my attention to an unbearably over-weight man sitting alone in a corner booth. As I watch, a waiter brings him several extravagantly sized dishes, followed by several more. By the time the server is done, the man’s face is hardly visible behind the food. He begins eating at a feverish pace, stuffing his mouth with chicken legs well beyond capacity. He licks his fingers as grease runs down his chin. In mere minutes, the first three dishes have been devoured, and the man is sweating. He continues to indulge at an unyielding pace and I watch in disgust and scientific fascination. Finally, when I fear he may not possibly get any fuller, his face stretches in alarm and fear. He clutches at his throat, eyes bulging from the sockets like meat through a grinder, searching for help that isn’t coming. His face turns red, then pale, and lands in his remaining mashed potatoes.
Neal is chuckling.
“Gluttony! Delightful, isn’t it? Now, to our right, Aaron…”

Not worrying about the man I now presume to be dead, and fearing I’ll miss the next spectacle, I turn to a cash register at which Neal has pointed, just behind the bar. It has been left painfully unattended and wide open. I notice a thin, dirty man also eyeing this phenomenon. His presence seems too coincidental. His eyes meet mine, and a wild abandon consumes his features. He runs for the till, arms wide, bony fingers grasping, and slips on the polished floors. In an instant, his head cracks against the solidity beneath him, shattering both the tiles and his skull. I watch blood trickle from the no-longer-wild eyes that had so recently engaged mine. The man is dead. Neal is clapping.
“Spectacular! Greed at its finest.”

Neal is nearly falling off his chair with laughter when I notice a beautiful blonde woman standing nearby. She is admiring her appearance in the reflective surface of the wall, reapplying her lipstick with unwavering scrutiny. Neal leads my line of sight to another woman, this one’s face to be described as no less than torture. She is staring at her physical superior with squinted malice. Suddenly, with an inhuman grunt, she lurches across the bar, grabbing a fork from a nearby table. She connects with the unsuspecting beauty, whose screams curdle as the fork enters her eye, again, again, again. Each time it punctures, I am reminded of the suctioning sound one’s foot makes when stepping through mud. The blonde grabs the throat of her attacker, and does not let go until the beast stops moving. Satisfied, beauty collapses to the floor. Neither moves again.
“Vanity! Envy! Wonderful!”

My attention turns to a man and a woman. The man is making wild advances at the woman, who is pressed against a wall. I watch as they move with abandon, knocking over a near-by beer bottle as he rips open her blouse. He pushes her violently against the wall, face in her breasts, hand up her skirt, and suddenly her moans of pleasure are replaced by a loud popping sound. The coat-hook behind her has gone through the back of her head. The man pulls her face forward and her brain makes a sickening suction sound as it slides off the hook. He recoils in repulsion and fear, falling backwards over a stool, and lands directly upon the broken bottle. It punctures his throat, and he bleeds out on the floor next to his date.
“Oh! Le petit mort! Lust! Lust! Lust!”

Neal’s ecstasy is interrupted by loud shouts from the pool table. There is an argument taking place amongst three increasingly aggressive men, and a pint is overturned. The biggest of the three throws a reckless punch, connecting directly with the face of another. I hear a definitive crack! and watch as teeth scatter across the billiard. The third man snaps his pool stick and shoves it into the larger man’s back, splintering through his heart. The impaled drops to his knees, collapsing on the floor, and the fight continues between those remaining.
“And there you have it, wrath! Don’t you just love a bit of violence?”
Neal sighs, appreciatively, and returns to a less excited posture.
“Come now, I’m bored.”

I follow him from the bar in a stupor. We reach the night, standing beneath a street light, and he turns to me unaffected.
“So, what did you think?”
“How? Why? You can’t have caused all of that. You…you didn’t.”
“Yes, you’re probably right.”
As these words leave Neal’s lips, he snaps his fingers. The bar’s doors slam closed, and the entire building bursts into flames. I collapse on the near-by bench, a spectator. There is no one around. No one notices the fire, no one cares. I watch it burn in amazement as Neal stands before me, unmoved. His previous charming composure remains, but now something dark stirs behind his ancient eyes as flames dance across their reflection. I want to ask him everything. I want to know all that he knows. I can feel the heat of the fire licking at my skin, growing in intensity.

“Are you the devil?”
All sound but Neal’s reply seems to have left the city.
“The devil, Satan, Lucifer. I’ve been going with Neal Henry for the past quarter-century”
“Why, then? Why now? Why me?”
“Why you, Aaron? Let’s not play the victim here. Why not you? ‘Without sin, life is boring.’ I believe you said something to that effect.
Tonight, I have shown you life. Tonight, I have shown you death. Tonight I have shown you both tragedy and miracle. I have made you believe in something.”
“By killing innocent people?”
“Surely you know by now that there is no such thing as an innocent person.”
“So this was for what, your entertainment?” I sink further into my seat as I speak and Neal seems to grow larger before me. “Did I entertain you?”
“On the contrary, Aaron, I believe it is I, who have entertained you.”
He turns to leave, but suddenly, I remember:
“Wait! Gluttony, greed, vanity, wrath, envy, lust.” I count on my fingers. “That’s six. What about the last one? What about sloth?”
Neal turns and smiles knowingly.
“I thought you had that one covered on your own.”

With that, Neal begins to walk away. The traffic returns to the street; people gather around the burning bar. Two fire trucks arrive and attempt to put out the flames. Some people are screaming, others looking on silently, and all the while I watch as Neal Henry disappears into the distance. I light a cigarette, lean back, and look at the calm of the stars over the turmoil of the city.

Tonight, I met the devil. After tonight, I believe in sin. I believe in Evil. I believe in Life. I drop my cigarette, exhale, and take the long way home.

The Fucked and the Fallen (3 poems)

I

All I can hear is my heart beating in my chest
and the tapping of fingers on keys
The perpetual state of my mind not at rest
in the chasm it won’t let me leave

It’s digging a hole and it it’ll never come back
but it’s fine because I’m not alone
Amongst the lost and the damned, the sinners, and shunned,
I have fallen to take my new throne.

As I rise to the top in the depths of the dirt,
as I bask in the glow of the rot,
I know that down here I will be loved and revered
and they’ll all eat whatever I’ve got

I am Queen of the fucked up, disturbed, and insane
and I know this is where I fit in
I will float in the blood, in the booze, and semen,
and I’ll sacrifice myself to sin

American Pyscho oooh gif.gif

II

Your head’s still on your shoulders
but only just for now
’cause soon we’ll wipe it clean
right off
and you won’t remember how

Your mind is on my matter
and your nose is on the line
You won’t regret a thing tomorrow
What’s mine is yours is yours is mine

Your heart left with my demon
yet your pulse is in your pants
So come on now, let’s take a bow
This is our great performance

anita pallenberg performance boob gif

III

Tonight we’re gathered
with the dead
so take if off
remove your head

Check your coat
and check your mind
Let it away
Leave it behind

Shed off your skin
Tear off your flesh
Cut it away
’til there’s none left

There’s not one sin
we won’t accept
Listen to us
We know you best

We took your name
We’ve no plus-ones
So kill your ties
and come alone

Sell us your soul
Strip to your bones
’cause something wicked
this way comes

american psycho sorbet head gif

I don’t have a name for these.

I

Your heart on my heart
and they’re killing time
Your beat parallels death’s
and it’s matching mine
We pull and
we hang
like we’re intertwined
Guilty like the
Gallows’ sparrows

 

II

You know you need your demon
and you know how he tastes
It’s bitter yet sweet,
you let none go to waste

As it dries on your lips
and it slides down your throat
you know you need your demon
just to keep you afloat

He grabs at your mind and
you think he might steal it
but you let it tear off
because at least
you can feel it

You know you need your demon
set behind your dead eyes
need the glint and the fire
but he won’t empathize

He knows that you need him
and he waits in the glass
He might be at the bottom
but he left you for last

You know you need your demon
and he can’t be erased
he stole all of your words
and wrote them on your face

Prescribed

Shaking hands and
earthquake eyes
they close and slip
as pills collide
The blue ones
the blue ones
The white and
the red
These will make you better
all better, they said

They hand me
prescriptions
for whatever I ask
It’s been four weeks
and four weeks
When did we see you last?

Written by cold hands
and eyes that pass through
they hand the white scribbles
just to get rid of you
You’re a number
and you number
count the whites and
the reds
But the doses move slowly
when it’s all in your head

The white shirts
prescribed you
looking up not at all
but when they come ringing
you will answer
their call

So you can’t sleep?
No I can’t sleep
We’ve got something for that
Take one every day
and be sure to
come back

You return under harsh lights
and it’s always the same
checking over your file
to remember your name
So you take pills
then you take pills
’til you’ve filled
every gap
These are great pills
Increase the mills

When did we see you last?

Hindsight

I

My mind is on fire
My thoughts are aflame
The heat scatters the ashes
and licks at my brain

If you try to get close
If you think you could learn
If you think you could know me
you will only get burned

I can’t draw back the fire
I can’t heal your raw flesh
I can’t feel for your blisters
Your wounds are too fresh

You did not heed my warning
You ignored common sense
I’ll be gone in the morning
setting flame to the rest

II

Another one
another one
because it’s never enough

Not in drink
not in men
not in feeling
not in friends
The attention
the destruction
the beginnings
and ends

I need more
I want more
and I need it to live
You’ll lend some
I’ll want more
and take all you can give

Once you’re shrivelled
Once you’re empty
Once you’ve bent to my pull
then I’ll move on
then I’ll pack up
but not ’til I have
your soul

III

You feel “Flat” they called it
Not a clinical term
Just flat,
unmoving
like windows shut in dark rooms
like a misplaced note
that should have been sharp
like a smeared black canvas
that should have been art
like a minor through silence
that should have been major
like a fragmented soul
that should have found saviour
like happiness lost
and feeling misplaced
You are flat,
you’re unmoving
and the pills were just chase

Blind

Last night I drank my eyes away
They sank to the bottom of my glass
Before I saw you, I heard you say
“You don’t need to see, you just need to feel”
So I left them there that way

You knew enough for both of us
I think I made you up that day
And as sunset turned to darkness
you asked me to press play
The record spun and nothing moved
Except the liquor through our veins
Still I could not see
but I could touch and taste
and you asked me if I’d stay

So I spent the night and I asked the price
You said there is no fee to pay
And you re-introduced me to every sense
as the sun came up where we lay

I left you there, not sleeping
but in my head you know you’ll stay
in the space once reserved for seeing,
the night I drank my eyes away

Artistic liberty, or something like that (6 poems)

I

You don’t know what you’re feeling,
not most of the time
unless you loosen the hinges,
start drowning in wine
As you plead and you gasp,
try to shut it back in,
as you bargain for air and your lungs are
screaming

That’s when he’ll find you
and he’ll offer his hand
You’ll thank your kind saviour
as you head to dry land

Coerced, young, and foolish,
you believe what you’re told
As he tightens his grip you think
you’re the one in control
But tell me my child,
can you remember your name?
At some point you’ve forgotten
Now you’re part of his game

The setting grows colder
It’s fading to black
And now you’re still drowning
with fresh marks in your back

II

You came here because
you wanted to feel something
More than you wanted love
you wanted to know
that you were capable of it
And you are…
or you were
But now it’s just another
emotional notch in your bedpost
Another hole in your belt
As you grow fatter with
experience you grow
less and less satisfied

Your waistline shrinks
and your cheek bones emerge
and you know the more you feel
the more you need to feel

You’re a sensational bulimic

Couches and dead flowers
and arguments and cleaning
the bathroom
This is your life now
You’re a modern day housewife
parading around in cloaked
dissatisfaction,
coining a front of charisma
so convincing,
for a second even you
thought it could be real
Your senses are numb
but for the scent of bleach
and boredom

As you rest your head
on his chest
his heartbeat reminds you
of your own mortality
You are ageing and
you’re dying
and the longer you wait
the faster it eats away

At least in the cold
you were preserved
on ice
You kept your heart
on the rocks for two decades
and now exposed it quivers
and threatens to crack

Yet you’re sure you can live
without it

So you seek solace in the flesh
of others
digging your nails in and
feeding off their emotions
and reactions
You draw blood as quickly
as you draw a crowd
You timed this,
you planned this
like clockwork
And you pretend you’re unsure
but immorality has always
had a special place in your bones

You’re a psychological vampire

And as you emerge
with fresh claw marks
down your back
you know neither is this “it”
There has to be something more
you can feel

There has to be something more
I can feel 

III

Your eyes
unlike oceans
show the shallow depths
of swamps
and in their muddy waters
I see not blues but browns

There are teeth
that let go at no cost
There are claws
that tear
until you are raw

Reptilian,
you take and abhor
until you need another
and swim back into shore

IV

You’re like a full bladder
an empty bottle of wine
everything you say doesn’t matter
and you take up too much of my time

You talk and you push
and I wish you’d just leave
I’ll drink ’til you drown
and I’ll plan to deceive

You’ll wake up tomorrow
to clean up my mess
and that’s why I keep you:
my tired conscience 

V

If it isn’t catastrophic
If it isn’t cataclysmic
then I don’t want anything to do with it

If it doesn’t clutch at my throat
and splinter my bones
then I don’t want anything to do with it

I don’t want half-ways
or “some day”s
I don’t want forever
or always
I don’t want anything to do with it

If it doesn’t inspire
and it isn’t this instant
then I don’t want anything to do with it

If it doesn’t gratify my wants
and set fire to my needs
then I don’t want anything to do with it

I don’t want 9-5’s
and staying barely alive
I don’t want insurance or security
I don’t want routine or mundanity

I don’t want truth
or sincerity
I don’t want confession
or honesty

I want worn flesh
and chapped lips
I want high winds,
an apocalypse

I want bruised thighs
and shattered lights
I want believed lies
and ruined lives

I want matted hair
and nails across skin
I want Christ cast out
and the Devil in

I don’t want hesitation,
or useless contemplation
I want here and now
instant gratification

I don’t want soft
I don’t want gentle
I want to come apart
watch as you dismantle

I don’t want conscience
I don’t want conviction
I want reveled sin
soaked in inhibition

I don’t want subtlety 
I can’t stand euphemism
I just want you and me
lost in hedonism

VI

Looking up from the cracks
I see the dirt on your shoes
and it won’t break your back
to step over my view

The heat seeps from beneath,
The flames cased in cement
As to whether you’ll join me,
we are all in suspense

I clutch at the sediment
until my fingers turn black
I did not mean to leave you
I just fell through the cracks

Yes, the company’s fair
and the wine never stops
There are thousands down here
That Time and God forgot

But it’s lonely, you know
here at Lucifer’s side
That’s why if you look low
You might still see my eyes

Glinting up from their prison
looking up from the flames
I thought I was special
Down here we’re all the same

The next time you’re walking
take a peek down below
For the cracks that you trod on
might be someone you know